Kexin Hong



Kexin Hong was born in China, lives and works in the Netherlands, as a multidisciplinary artist, she employs a variety of media including, video, sculpture, and digital fabrication as tools to explore political issues on digital platform and sociology.

Kexin Hong is fascinated by the boundaries between reality and virtuality, as well as the real and the imaginary; Her research delves into the impact of post-colonial trauma on the self- projection mechanisms among individuals in the post-truth era. It investigates how these self- projection mechanisms are manipulated by politically motivated power structures in the rapidly evolving landscape of technology, thereby constructing a multitude of projective realities. Kexin perceives these virtual realities as an ouroboros, perpetually self-referential, created based on our subjective emotions and deeply intertwined with collective social and cultural histories.
In other words, she intends to investigate how political images achieve a fictional “authenticity” while affirming themselves in reverse.
 


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Objects in the Mirror Are Closer Than They Appear
镜中人

Genre: I-Novel
English & Chinese
Type:Softcover page:98 
Dimensions: 128mm * 182 mm 
Author& Graphic Design : Kexin Hong



The novel describes the protagonist is suddenly unable to perceive her own reflection in real life and begins instead to project her missing sense of self onto an online character. This virtual other gradually becomes the fictional reality through which the protagonist confirms her identity. In the end, she disappears without a trace, leaving uncertainty as to whether she ever existed at all. 


"Objects in the Mirror Are Closer Than They Appear.”

This particular phrase is frequently displayed on rear-view mirrors of vehicles as a cautionary reminder to drivers regarding the disparity between perceived distance and actual distance of objects In this novel, Kexin utilizes its optical phenomenon as a metaphor to portray digital platforms in the post-truth era as convex mirrors and mediators that reflect various aspects of reality onto a nonfiction dimension, which is not the opposite of real-life but rather the source of its projection. It manifests the property of in-betweenness that wanders among our constructions of the imagination and reality