Kexin Hong




Kexin Hong (b. China) is a multidisciplinary artist and filmmaker based in Amsterdam. Working across moving image, installation, and essay film, she delves into the psychosocial and political forces shaping our sense of reality.

Her work navigates the fragile relationship between collective trauma and memory, questioning how historical wounds reconstruct our self-perception and the very architecture of how memories are formed



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The Toughest Vulnerability

Toughened Glasses Film OF IPHONE&HUAWEI / Electric motor
aluminum frame
Electric Installation 
2m*2.5m



The installation is constructed from toughened glass film, a material commonly used to protect the screens of high-tech devices like iPhones. Born in Chinese factories, this never-shattering film is both practical and symbolic. It can fragment internally while maintaining an outward appearance of unity and integrity—an unsettling parallel to the strategies employed by the Chinese government in an accelerationist society.

The structure is designed like the entrance gate of a factory, rising and falling every eight hours, mirroring the rhythm of industrial labor. In its initial state, the gate resists movement due to the pristine integrity of the toughened glass film. Yet, with each cycle of opening and closing, the sheets of film press against and crush one another, gradually softening and weakening. Over time, the once-rigid material becomes increasingly fragile, making the gate easier to manipulate and control.

This transformation encapsulates a broader sociopolitical reality. By exploiting a deeply rooted national inferiority complex and the trauma of cultural invasion, the government fosters a highly unified nationalist ideology. This manufactured unity drives rapid economic growth and offers a fleeting sense of material satisfaction, yet it simultaneously perpetuates cycles of self-exploitation. Through the relentless reactivation of collective trauma, society projects an image of cohesion and strength, but beneath the surface, it is fractured and vulnerable—much like the installation itself.